During most of his career, Antonio López has worked virtually alone in the middle of an art scene dominated first by abstraction and informality, and then by the current conceptual .
In the sixties and seventies much of its prestige is growing quietly but effectively, giving little, but with increasing success. It is not even possible to establish convincing links between his work and new trends figurative Hyperrealism European or American.
eighties to individual exposures have been few: Paris and Turin in 1972, and Paris again in 1977. In 1985 his first retrospective in line at the Museum of basil with a retrospective in Brussels in the framework of Europalia '85, that year was devoted to Spain.
A year later, two new samples in New York and London are the gateway to a large retrospective held in 1993 at the Reina Sofia Museum in Madrid, final consecration of a universal size that was recognized for years now.
Paola Fraticola DG
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