The ideal playlist: Charly by Charly
Once I start to be alone: \u200b\u200b
I think it's my first song that has different rates in which also use an orchestra conducted by maestro Beytelman, I love the melody unfolds the letter, his vision of a future scenario but it could be the life of an artist. The voice Nito is very good, and good string arrangements really like, is reminiscent of Elton John with arrangements by Paul Batle, I went to the house of the (Ed note: Beytelman) and threw the idea more or less than tune the strings, the fine work you say custom, I will pull over a rough idea and refine it, and I do not remember if the decision was mine to make, or an accordion, but I am very very good, no bandoneon used before or orchestra. The first disc is all recorded Sui Generis, I and some members of the weighing instruments, but this was also an eight-channel recording, we were using four and that gave me more freedom to be able to express myself better.
Tango second:
One that I had to write in a while. There are two issues stuck in reality, the first part is sung and ends, "I do not like your face, I do not like your smell, there are three or four daubs with which I am better", these four daubs were my band. And why not add a thing that had happened to me one day, a tango that occurred to me one day that are echoes, if you like walking in a taxi Rivadavia Avenue in the neighborhood of Boedo, pass it on to children I do not remember if we played all together or did the two parties and then the paste. At that time just had the minimoog is a monophonic synthesizer but has a sound ... it is difficult to handle and is unstable in terms of pitch, but had a sound that reminded me a bandoneon half Wagnerian, medium and really stay symphonic something quite original.
Soul Music:
A song that I did with a guitar I think in Buzios at the time I went with David Lebon and was becoming the germ of Seru Giran. And I like it because it is very thought out vocal harmonies, I like the Re tuning the guitar, the sixth in D and the harmony that comes from that.
Eiti Leda:
I like it because it is also a small suite in the sense of several pieces, or several small songs together but this thought in one sitting. I like the images of the letter of the highway with signs that say nothing. When I saw the movie Brazil reminded me a little of that, has the highway "when they finish they are crazy, but are not? Well the ending. Was recorded in Brazil and then I went to that tape to Los Angeles and work with an almost symphonic orchestra in a very short time that we had no budget and stay good in the end something like that pretty much had in mind.
Do not be discouraged:
of the machine, is a song anti downturn, there is a protest song is a song that tries to power, try get in a state that still, despite the reality and what we all knew or sensed, in addition to what usually happened was you who took you prisoner for having long hair stuff like macabre plot was suspected , something we did not know what's missing, we did not know the magnitude. Well, then I made that song means to me perhaps the beginning. I think it was the first time you work with complex rhythms and polyrhythm than 4x4 5x4, 7x 8, 9 x 8, has a string arrangement by Carlos Cutaia was the organist of the machine that is very good and gives , say, reinforces the sense of the letter and gives an almost ironic. Wig
Telephone:
I thought putting a band, a super band, hired for a day then Ion studies, I was working with Willy Iturri, had worked with Peter, obviously, and I needed Spinetta. Guest rhythmic think it's one of the best rhythm guitarists, not just here but in many places, because really the rhythm guitarist is always a bit underrated as the work of John Lennon in the Beatles for example. But Luis addition to playing a few common chords are chords that creation really complex harmonies and had the idea of \u200b\u200bmelody, rhythm, but the point we made there at the moment, each one contributes his own a bit of automatic writing , Dalí and Film "Andalusian Dog" and the mood was really very very good. We were all very happy and jokes, inside jokes, but also a really rhythmic class session ... well I like it, is a different thing I did.
Dinosaurs:
It's all in the piano, the bass is done with the piano, his left hand, is a key figure in the whole thing. And the lyrics, in fact, at first I did not mind in the military but I dreamed as a video of little things disappear each stanza, a bone shaker, cup, a cigarette and then came the chorus when I realized was obviously very similar to what was going on, missing the censorship, the closest love, friends. I like the chorus, which has the bridge, completely changes. I find it amazing what Larry Carlton on guitar.
Rock and roll I:
I like the riff and song structure and interpretation liked me. We did live in the studio with my current band, the Chileans wanted to achieve an effect at a rate of "Who" and there, in the spaces between riff and riff on the end of a battery's almost impossible to play. But we did recording it to tape, I get nostalgic for the tape with the tape very slowly and then when played at normal speed all these breaks sound very fast, and again there is an appointment to tango in one piece, almost before they come around the final, where just put a stamp of rock and roll city's essence mine.
I'not in love:
Well, this topic was the possibility of hanging out with my childhood in a tribute to the Beatles that led me to the theater played Tony Sheridan Square. I remembered when I saw that album in a record store, did not understand that, I had all the Beatles records and that was another that came at any time and it was Tony Sheridan and the Beatles. It was because of that record that Brian Epstein, who had a record shop in Liverpool, became interested in the Beatles. And then of jamming with him in the theater takes you to the study, the type is Coll and, well, I play rhythm guitar and did a solo that began with that swing he was on those records. It was very exciting, so it was like the dream of the boy, bone had something of original Beatles when I was little and I could play with it and is in my album!
not Matter:
In Kill Gil, I like it because it is one of the heaviest songs I did, again with the Chileans, has a touch of strings. Reminds me a bit the simplicity of the letter at the time of Lennon's "Mother" and "Plastic Ono Band" and I love the sound produced in New York Andrew Oldham, which I found a personality completely fascinating that if Chispi much, he did not have any problem in talking about the history of rock. And also it's that song that I think together with Breack it all and King Kong are the ones I like to Kill GIL.
By: Charly García.
Source: RollingStone
Transcript: Hernán for Cinema Verité.
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